Bhimaa Movie Review: A Routine Mass Film with Some Action-Packed Moments

Read our review of the recently released Telugu film ‘Bhimaa,’ directed by A Harsha. Despite intense action sequences and a commendable performance by Gopichand, the film falls into the clichés of the mass action genre.

Bhimaa Movie Review: A Routine Mass Film with Some Action-Packed Moments

The recently released Telugu film, Bhimaa, directed by A Harsha, marks the director’s debut in the Telugu film industry. Starring Gopichand in the lead role, the movie falls under the mass action genre with a hint of fantasy elements. While it offers some intense action sequences and a few intriguing moments, it ultimately succumbs to the clichés and pitfalls of the genre.

( Credit to: M9 )

Gopichand, who plays the role of a powerful cop named Bhima, delivers a commendable performance. He effortlessly portrays the character’s attitude and intensity, especially during the action sequences. However, the character fails to leave a lasting impression due to the lackluster writing.

The film revolves around Bhavani and his son Rudra, who terrorize the town of Mahendragiri. Bhima’s arrival in Mahendragiri as a new police officer sets the stage for uncovering the illegal activities orchestrated by Bhavani and putting an end to their reign of terror. The narrative also explores Bhima’s personal life and his emotional journey.

An Uneven Narrative with a Struggle to Balance Comedy and Seriousness

The movie starts with an intriguing temple history, but it quickly transitions into a routine mass action film with a touch of comedy. Unfortunately, the film struggles to strike a balance between comedy and seriousness, resulting in an uneven narrative. The villain, initially introduced as a deadly force, is soon reduced to a comical character, diluting the intensity of the plot.

The inclusion of a romantic subplot involving the two female leads, played by Priya Bhavani Shankar and Malvika Sharma, further undermines the characterization of the hero. While both actresses fulfill their respective roles adequately, their presence fails to add significant value to the overall story.

Action-Packed Moments and Predictable Plot

Despite these drawbacks, Bhimaa manages to capture attention during its action sequences, which are typical of the genre. The pre-interval and interval portions offer some intrigue and excitement, shedding light on the dangerous nature of an additional oil tanker. The subsequent action block and the revelations in the second half provide clarity and a sense of connection to the overall plot.

However, once all the cards are laid out, the story becomes predictable, and the film becomes a medley of commercial masala cinema clichés. The excessive use of these elements makes the film feel overcooked and overstuffed. Only the relationship between key characters and the inclusion of fantasy elements manage to hold the viewer’s attention to some extent.

Technical Aspects and Conclusion

The music by Ravi Basrur, known for his work in the blockbuster film KGF, is forgettable, while the background score fares slightly better. The cinematography is commendable, but the editing lacks coherence, especially in the first half. The writing adheres to the standard conventions of a mass film, and the action choreography is well-executed.

In conclusion, Bhimaa offers a routine mass film experience with a slight twist. While the action sequences and Gopichand’s performance manage to entertain, the film is weighed down by its hackneyed plot, uneven narrative, and cringe-worthy comedy. It is a film that strictly caters to hardcore mass movie lovers with zero expectations and a penchant for action-packed fights.