V/H/S/85: A Mixed Bag of Found-Footage Tales

V/H/S/85 brings together a diverse group of filmmakers for a collection of chilling and thrilling found-footage tales. While some segments shine brighter than others, there are moments of creativity and suspense that make it worth a watch for fans of the genre.

V/H/S/85: A Mixed Bag of Found-Footage Tales

V/H/S/85 brings together a diverse group of filmmakers for a collection of chilling and thrilling found-footage tales. Directed by David Bruckner and Scott Derrickson, this anthology offers a slightly different approach with its wraparound story, deviating from the usual video-centric format. While some segments shine brighter than others, there are moments of creativity and suspense that make it worth a watch for fans of the genre.

( Credit to: Dailyrecord )

Total Copy: A Unique Departure from the Video Theme

David Bruckner’s segment, titled “Total Copy,” takes a refreshing departure from the video theme. It follows a team of university scientists studying a shapeshifting being named Rory. While this shift in format is a breath of fresh air, some viewers may crave a stronger connection to the found-footage element. Nevertheless, it offers an intriguing story that adds depth to the anthology.

No Wake: A Horrifying Lake Trip

One standout segment is “No Wake,” directed by Mike P. Nelson. It starts off as a typical trip to the lake for a group of friends but quickly turns into a horrifying experience with dangerous waters and flesh-destroying wounds reminiscent of Jaws’ Amity Island. Nelson’s direction and storytelling prowess create a gripping and intense narrative that will leave viewers on the edge of their seats.

God of Death: An Unexpected Twist

Gigi Saul Guerrero’s segment, “God of Death,” offers an entertaining and unexpected twist. It follows a Mexican news crew caught in the chaos of a collapsing building, taking the story to surprising places that defy expectations. Guerrero’s unique perspective and storytelling style make this segment a standout in the anthology, showcasing her talent as a filmmaker.

TKNOGD: A Self-Indulgent Segment

Natasha Kermani’s segment, “TKNOGD,” falls short in comparison to the other entries. Centered around a one-woman performance art stage show filled with anti-technology rants, this segment feels self-indulgent and lacks depth. It fails to resonate with viewers, ultimately leading to a one-note punchline that doesn’t leave a lasting impact.

Ambrosia: A Twisted Coming-of-Age Story

Another noteworthy entry is “Ambrosia,” also directed by Mike P. Nelson. This segment ties in with “No Wake” through a twisted coming-of-age and family tradition story. It includes intriguing elements like a video-within-a-video and a police raid that ends in a disastrous outcome for the main antagonist. Nelson’s storytelling skills shine once again, delivering a compelling narrative that keeps viewers engaged.

Dreamkill: Atmospheric Tension and Potential for a Full-Length Feature

The final offering, “Dreamkill” by Scott Derrickson, stands out for its atmospheric tension and potential for a full-length feature adaptation. Derrickson skillfully employs the same Super 8 shooting style and eerie sound design seen in Sinister’s haunting home videos. Additionally, there is a clever connection to Derrickson’s recent film, The Black Phone. “Dreamkill” plays with time and combines elements of a police procedural, featuring Derrickson’s son Dashiell (Gunther) as the young lead. This segment leaves viewers wanting more and showcases Derrickson’s talent as a director.

A Calmer Viewing Experience with V/H/S/85

Compared to its predecessor, V/H/S/94, V/H/S/85 offers a calmer and less intense viewing experience. While this makes it easier to watch, it also diminishes some of the intrigue and excitement that the series is known for. However, the anthology still has its moments of creativity and suspense that make it worth a watch for fans of the found-footage genre.

In Conclusion: A Mixed Bag of Found-Footage Tales

In conclusion, V/H/S/85 presents a mixed bag of found-footage tales, with some segments shining brighter than others. The diverse group of filmmakers brings their unique perspectives to the anthology, resulting in a collection of chilling and thrilling stories. While it may not reach the same level of interest as previous entries, there are still moments of creativity and suspense that make it worth a watch for fans of the genre.