Architecton: Reimagining Beauty in Architecture and its Impact on the Natural World

De Lucchi asserts that the Earth can no longer sustain the heavy architectural grandeur that has been traditionally admired for centuries. He highlights the detrimental environmental consequences of the current trend towards disposable concrete construction. While showcasing classic notions of beauty through breathtaking imagery, the film prompts viewers to consider the implications of our fascination with awe-inspiring structures.

The documentary raises significant questions about the allure of man-made landmarks. Does their appeal lie in the sheer effort required for their creation or in the way they reshape the surrounding world? Should architecture prioritize enhancing the aesthetic appeal of a site or efficiently serving its inhabitants? And which of these objectives is more ecologically sustainable? ‘Architecton,’ devoid of dialogue except for De Lucchi’s intermittent narration, refrains from imposing answers on its audience. Instead, it allows ample space for viewers to absorb the mesmerizing images and contemplate their own responses.

Challenging Traditional Notions of Beauty: The Impact of Man-made Structures on the Environment

‘Architecton’ opens with haunting images of Ukrainian apartment blocks ravaged by Russian bombing. These structures, once efficient and communal, now lie exposed and decimated, serving as a stark reminder of the fragility of man-made designs when faced with the selfish impositions of others. Similarly, the film showcases earthquake-ravaged high-rises in Turkey, emphasizing the devastating and premature destruction of these unadorned and unlovely buildings. De Lucchi estimates their average lifespan to be a mere 40 years, highlighting the transience of modern concrete structures.

Contrasting these images, ‘Architecton’ presents awe-inspiring shots of the ancient ruins of Baalbek in Lebanon. De Lucchi marvels at the colossal stone megaliths, so meticulously shaped that they seem almost otherworldly. These structures, which defy replication with modern technology, make us ponder what has been lost in our inability to create such enduring monuments. Simultaneously, the film invites contemplation on whether the land has gained something by avoiding such grand architectural interventions. It challenges the notion of ‘they don’t make ’em like they used to,’ while subtly underscoring the hubris of past architects.

The film also showcases the smaller-scale stone work of the 21st century, where natural rock is processed into industrialized quarries. Kossakovsky captures the mesmerizing spectacle of stone falling and flowing in slow motion, resembling frothy, turbulent water. This controlled manipulation of the environment by humans highlights our ability to shape the world around us. However, it also raises questions about our responsibility and the potential consequences of our actions.

A New Blueprint for Sustainable Architecture: Balancing Beauty and Functionality

‘Architecton’ explores a more intimate project by De Lucchi, where he creates a stone-edged circle in his Italian garden. This small-scale endeavor serves as a metaphor for the architect’s attempt to reconcile his guilt over imposing concrete structures on overcrowded cityscapes. By leaving the grassy interior of the circle untouched and allowing nature and his dogs to reclaim the space, he seeks to create unobstructed negative spaces as a form of penance.

Yet, there is an inherent irony in man’s need to construct spaces for nature to reclaim. It underscores our own dominance and determination of what is considered beautiful and useful. ‘Architecton’ urges us to reconsider our role as architects and calls for a new world order or a revised blueprint that prioritizes sustainable and harmonious coexistence with the natural world.

Conclusion: Reimagining Our Relationship with the Natural World

‘Architecton’ offers a visually captivating exploration of the impact of man-made structures on the environment. Through stunning imagery and thought-provoking narratives, the documentary invites viewers to reflect on the concept of beauty in architecture and our responsibility as architects to create a sustainable future. As we witness the grandeur of ancient ruins and the controlled manipulation of modern quarries, we are compelled to question the choices we make in shaping the world around us. ‘Architecton’ ultimately challenges us to reimagine our relationship with the natural world and seek a new paradigm of beauty in architectural design.